Not exactly complexicist, but some distance from new simplicity or neo-Romanticism, these solo and chamber works by two youngish UK-domiciled composers share an eclectic view of developments in 20th-century music. Fitch is an authority on early music, though this only shows when he expressly wants it to. Some extended instrumental techniques are in evidence; for the most part these works occupy the realm of free atonality familiar to us from a good deal of music written by the younger generation of European composers.