In Michael Hersch’s music, unconditionally radical human abysses are explored without embellishment.…[Peter Shepherd Skærved and Roderick Chadwick] bring…stupendous expressive vitality and technical mastery. Through them, this cycle becomes audible as a means of exploring the musical translations of proportion…. For the interested listener, the recording, together with the philosophically inclined accompanying texts, offers a rich source of material for engagement.
—Uwe Krusch








