Roderick Chadwick is a pianist, teacher and writer on music. He has performed some of the most challenging works for the instrument, including Lachenmann’s Serynade at the inaugural London Contemporary Music Festival, and the first complete performance of Jeremy Dale Roberts’s Tombeau since its 1969 premiere at the hands of Stephen Kovacevich. He collaborates with some of the UK’s most adventurous musicians, with previous recordings for Divine Art/Métier including music by Michael Finnissy and David Gorton with members of the Kreutzer Quartet, and Mihailo Trandafilovski, Mozart and Ole Bull with violinist Peter Sheppard Skaerved. Other recordings to date include Stockhausen’s Mantra with Mark Knoop and Newton Armstrong – which was described as ‘a real contender’ by Gramophone magazine – and works by Gloria Coates, Sadie Harrison and Alex Hills. Roderick is a member of ensembles CHROMA and Plus-Minus, performing with them at festivals such as Huddersfield, Ultima (Oslo) and the 2019 Warsaw Autumn Festival. His first performance on BBC Radio 3 was at the age of 14 (the Britten Gemini Variations live from the Aldeburgh Festival), and broadcasts since have included solo works by Laurence Crane, Richard Barrett and Will Gregory. In 2018 Roderick published Messiaen’s ‘Catalogue d’oiseaux’, From Conception to Performance, co-authored with Peter Hill. He is a regular performer of Messiaen’s works, including the entire Catalogue d’oiseaux and La Fauvette des jardins in a single concert event. In 2008 he was artistic advisor to the Royal Academy of Music for their part in the Southbank Centre’s Messiaen centenary festival. He attended Chetham’s School in Manchester in the 1980s, studying with Heather Slade-Lipkin, and later moved to London to learn with Hamish Milne. He lives in South London and is Reader in Music at the Royal Academy of Music. “The redoubtable Roderick Chadwick” (The Strad) “Possessor of devastating musicality and technique” (Sunday Times)
