“

An intriguing facet to the work of this important contemporary composer. Another enterprising release in Metier’s Finnissy series, featuring impressive singing by Voces Sacrae.

” —Andy Hamilton

“

[Finnissy’s] motets have an apparent simplicity, a devotional serenity, an authenticity in their use of plainchant that make them hard to distinguish from works written centuries ago. Fans of Tavener and Gorecki should find enjoyment here.

” —Paul Driver

“

Idiomatically conceived, these motets traverse a variety of liturgical techniques with a concentration and lucidity that compel admiration.

” —Richard Whitehouse

“

Play these substantial choral works to unsuspecting listeners, and few would identify the composer. Michael Finnissy is associated with a rhythmically complex, rebarbative style – torrential volleys of notes in his writing for piano, layers of texture in his orchestral pieces – but the starting point for the 1991 Sacred Motets is plain-chant, and modal […]

” —Andrew Clements

“

Their tone is unequivocally influenced—permeated, in fact—by the soundworld of chant, not just Gregorian but also alluding to the more varied melodies found in Ambrosian chant, with one or two elements of folk music as well. As they progress, the initial ostensible similarities to conventional ecclesiastical chant become more and more implausible, Finnissy’s writing somehow encapsulating austerity alongside deeply heartfelt, emotional word-painting. The performances, by the nine-strong Voces Sacrae directed by Judy Martin, are utterly spellbinding, a recording from the late ’90s that still sounds incredibly vivid.

” —Simon Cummings

“

This Metier recording offers a crystal clear production. The voices penetrate the ear with an ambience and clarity that easily transforms the listener from the present to a Renaissance Burgundian court. Undoubtedly great value for money at a mid-price range.

” —unknown reviewer